About halfway through FOMO, Drake turns what could have been a quick closet tour into one of the film’s most revealing scenes. The camera enters a room lined with jewelry displays, rare bags and enough watches to resemble a private boutique. The scale is outrageous, but the interesting part is not simply the price. Almost every major object connects to a person, an album era or a piece of Drake’s own mythology.

That makes the collection feel less like a random pile of trophies and more like a physical archive of a career built on turning personal history into pop culture.

The watch case is the headline

The clearest flex is a display holding more than 30 timepieces, with Rolex appearing to dominate the lineup. Among them is the one-of-one “Ice Gradient” Rolex Cosmograph Daytona Drake revealed in August to celebrate ICEMAN. Its blue-and-white stones make the album title literal, transforming a familiar sports watch into a permanent marker of that era.

Drake also treats the collection with the casual confidence of someone who has moved beyond wearing one grail at a time. In another FOMO scene, he stacks three Richard Mille watches on the same wrist. It is absurd on purpose: scarcity becomes styling.

Virgil’s emerald Patek is the emotional center

The custom Patek Philippe Nautilus covered in baguette-cut emeralds matters for a different reason. Designed by Virgil Abloh and executed by MAD Paris, the watch is reportedly one of two; Abloh owned the other. Drake referenced it in “Life Is Good,” but its appearance now carries more weight. It is both an impossible luxury object and a reminder of a friendship that shaped modern music and fashion.

That combination—provenance, memory and design—is what separates the best pieces in the room from ordinary celebrity jewelry. The value is not only in the stones. It is in who imagined the object and what moment it represents.

Richard Mille turns mechanics into theatre

FOMO also gives a close-up to the Richard Mille RM 19-02 Tourbillon Fleur. Richard Mille produced only 30 examples. Inside the case, a hand-crafted magnolia opens and closes around a flying tourbillon; the mechanism even raises the flower’s stone-set center by one millimetre as it blooms.

Market estimates place the watch at roughly $2 million to $3 million. The number grabs attention, but the miniature mechanical performance explains why collectors obsess over it. It is jewelry, engineering and spectacle compressed into a wrist-sized machine.

The jewelry works like a private mythology

The pendants push the storytelling even further. Pieces by Alex Moss include icy OVO owls and a Cogsworth pendant inspired by Beauty and the Beast. The playful references sit beside the far more infamous “Previous Engagements” necklace: 42 diamond engagement rings totaling 351.38 carats, mounted in white gold to represent the times Drake considered proposing. Drake has claimed it cost more than $10 million, although that figure has never been independently confirmed.

A Cartier high-jewelry necklace adds another kind of flex. Its centerpiece is a 37-carat emerald-cut aquamarine surrounded by opals, diamonds and fluted topaz beads. A public listing for the piece put its price at $540,000. Unlike the custom pendants, it does not need an inside joke or album reference; the materials make the statement.

The real luxury is the story

The strongest detail in Drake’s vault is that the collection does not stop at expensive watches. The same tour includes a one-off Louis Vuitton bag tied to Certified Lover Boy and Cam’ron’s famous pink Range Rover. Together, they show how Drake collects: part fan, part archivist and part main character.

That is why the scene works inside the larger FOMO film. The watches and jewelry are not interruptions between songs. They are the visual language of the project—proof that, for Drake, a career can be worn, stored and replayed one artifact at a time.